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Something's Brewing!

Hello, Friends!

We hope your new year is off to a good start. To say that 2020 was a challenging year is a massive understatement, and while we don't know what the immediate future holds, we must move forward and plan for what comes next! And believe us when we say -- what is coming is exciting!

A new year means new possibilities, setting goals that challenge you -- a chance to step outside your comfort zone and try something bold and new! In that spirit, we are thrilled to announce that we are currently in the early stages of creating an original play with music to be produced next year.

We are working with our friend and 2020 Piedmont Laureate, Tamara Kissane, to create a play based on an event in the life of author Franz Kakfa.

“Everything you love is very likely to be lost, but in the end, love will return in a different way." --- Kafka

Kafka and the doll

The play we are creating is based on a beautiful story about an event in Kafka's life. Here is that story: When he was 40, the renowned Bohemian novelist and short story writer Franz Kafka (1883-1924), who never married and had no children, was strolling through Steglitz Park in Berlin, when he chanced upon a young girl crying her eyes out because she had lost her favorite doll. She and Kafka looked for the doll without success. Kafka told her to meet him there the next day and they would look again. The next day, when they still had not found the doll, Kafka gave the girl a letter "written" by the doll that said, “Please do not cry. I have gone on a trip to see the world. I'm going to write to you about my adventures." Thus began a story that continued to the end of Kafka’s life. When they would meet, Kafka read aloud his carefully composed letters of adventures and conversations about the beloved doll, which the girl found enchanting. Finally, Kafka read her a letter of the story that brought the doll back to Berlin, and he then gave her a doll he had purchased. "This does not look like my doll at all," she said. Kafka handed her another letter that explained, "My trips, they have changed me." The girl hugged the new doll and took it home with her. A year later, Kafka died. Many years later, the now grown-up girl found a letter tucked into an unnoticed crevice in the doll. The tiny letter, signed by Kafka, said, “Everything you love is very likely to be lost, but in the end, love will return in a different way." Needless to say, the potential for this story is immense. The concept of love and loss seems so appropriate after the year we have endured. We envision a story full of fantastical journeys and original music told by a small and diverse cast that looks and sounds like the world we live in. The possibilities are endless! With that in mind we could use your help!

Share your stories

As we begin working on this piece, we would love to hear from you! That's right, we want to engage the community by working WITH YOU to create this magical piece of theatre together. We imagine this project as a work by the people, for the people. We would be grateful if you shared any stories you might have of special childhood dolls or toys (and the adventures you had with them) or even places you fantasized about visiting as a child or now as an adult! Tell us your stories of love, loss, grief, and how your dolls or toys were your best friends and how loving them helped you to grow and evolve into a grown-up. How did that attachment inform your childhood? How did they accompany you on your journey to adulthood? How do these moments in your life relfect on the year 2020, the COVID-19 pandemic and all that has happened to us this past year socially and politically? Here are a couple of examples: David's step-son, Cody, had a stuffed dog that was left behind on a trip. A kind person found the dog, tracked down the address and sent the dog back to Cody in Wake Forest...but the dog wasn't alone! There was another stuffed animal in the package and note that said, "I missed you, but I made a new friend to keep me company"

Susannah had a doll named Muffin (in a recent photo above) that was her constant companion throughout her childhood. One time, Muffin accompanied Susannah on a backpacking trip through the Southwest, and went away for an evening with some young Navajo children who were entranced by the doll and had precious little to call their own. When the children returned Muffin to a lonely and sad Susannah the next day, she was wearing a corn cob crown that had been made by the children as a loving gesture.

  • What are your stories?

  • Who or what did you love?

  • Who or what did you lose?

  • Has love remained or come back to you in a new form?

We would like this play to come from our community, so PLEASE share your stories with us. You can email them to:

We can't wait to hear them! We are also looking for local musicians to work with us on creating the original music for this piece. We are looking for people from all genres of music. If you are a musician or know any that might be interested, please let us know!

To learn more about Tamara Kissane, please visit :

“Everything you love is very likely to be lost, but in the end, love will return in a different way."

During 2020, we lost theatre as we know it.

The pandemic halted our ability to be in the same room with you.

Theatre companies had to pivot fast. Everything changed, but it is coming back! It might be different than we remember, but it is coming!

2021 is still young. There is a lot of uncertainty still ahead. But, thanks to you, our supporters, we are entering this year with a desire to create something new!

We are so excited about what lies ahead and we can't wait to share the process with YOU!

Drink Deep, David and Susannah

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Happy September!!

We are returning after have taken a couple of months off to regroup and chart a new course in the time of the COVID-19 pandemic. We are happy to be back in touch with you! 

In the past 3 months we have frozen our fundraising efforts through Patreon in order to give our donors a break and to assess how Honest Pint will move forward. And while we won’t be returning to live theatre any time soon, we have begun a couple of new initiatives that will keep us engaged in the business of telling stories and with our audiences.

In August we held our first online event, TAP ROOM, where we read a play with our Pintrons (WATER BY THE SPOONFUL by Quiara Alegria Hudes) and had a lively discussion about it via Zoom. It was really fun and so we’re doing it again this month! 

Mark your calendars for September 23, 7:00 pm and plan to join us as we discuss THE NICETIES by Eleanor Burgess. This time we are opening up the TAP ROOM to anyone who wants to join. If you are interested in reading the play at your own leisure and hanging out with us to talk about its themes, characters, and social relevance, then email us at for information and instructions. 

The play is a powder keg and speaks to the recent social unrest and issues of racial justice we have been witnessing.

“A barnburner of a play. One of the best plays I’ve seen about who gets to tell the story of America, and how.” — The Washington Post

We also plan to bring back HOME BREW, our every-now-and-then series featuring local artists/creatives. Of course it will be virtual for now.

Details on HOME BREW coming soon…

Friends, this month we want to shine a light on something you probably already have presumed but perhaps you don’t know the real numbers -- the COVID-19 pandemic is obliterating arts organizations and careers each day that it drags on. We want to share with you some VERY SOBERING statistics from

The Arts & Culture sector is a BIG BUSINESS, employing 5.1 million people nationally and providing $877 billion value added to the U.S. economy.

Arts & Culture adds:

  • 5 times more value to the GDP than agriculture

  • $87 Billion more than construction

  • $265 Billion more than transportation

The Arts & Culture sector is a cornerstone of the larger U.S. economy, making up 4.5% of GDP.  Despite their out-sized cultural and economic contribution, the Arts & Culture sector of the U.S. economy is in grave danger. It is NOT getting the government funding other sectors have in this time of economic crisis.

  • Nationally, financial losses to nonprofit arts and cultural organizations are an estimated $9.1 Billion as of July 2020. 

  • 96% of organizations have cancelled events, some as far out as Summer 2021, resulting in a loss of $10.4 Billion in event-related spending by arts audiences at local businesses (restaurants, hotels, retail)

According to the Brookings Institute economic report Lost Art: Measuring COVID-19’s devastating impact on America’s creative economy,  they estimate a loss of 2.7 million jobs and more than $150 Billion in sales of goods and services for creative industries nationwide, representing nearly a third of all jobs in those industries.

The fine and performing arts industries will be hit hardest, suffering estimated losses of almost 1.4 million jobs and $42.5 Billion in sales. These estimated losses represent 50% of all jobs in those industries and more than a quarter of all lost sales nationwide.

Arts/creatives are among the most severely affected workers by the COVID-19 crisis. 

  • 62% have become fully unemployed.

  • Nationally, they expect to lose $50.6 Billion in lost income in 2020. 

  • 94% report income loss.

  • 66% are unable to access supplies, resources, spaces, or people they need to do their work.

  • 75% use their art to create morale and community cohesion.

  • 47% of shuttered arts organizations have no target date for re-opening.

  • 29% have laid off their staff.

  • Of those that have reduced staff, just 39% expect to return to pre-COVID levels in 2021.

COVID-19 is spiking nationally, meaning Arts & Culture institutions will remain shuttered for the foreseeable future. In fact, 41% of Arts & Cultural Institutions report they are “not confident” that they will survive the pandemic

Furthermore, the common “survival jobs” for Arts workers are in the hospitality and service sectors, which have been almost equally devastated by this crisis. With over 20 million unemployed, the competition for “survival jobs” is fierce; millions will remain unemployed for the foreseeable future

We heard one story of a 52 year-old artist who had to sublet her apartment in New York City for the remainder of the lease and move back home to the Midwest with her elderly parents who are in their 80s. Careers have been decimated. People’s lives are at stake because they suddenly have no health insurance and no way to cover medical costs.

It's not just Art & Culture workers, unions, and organizations who are in trouble: administrators, management, hospitality staff, custodians, and countless others depend on Arts & Culture institutions for income are currently relying on the Federal Pandemic Unemployment Compensation (FPUC) program to pay their bills. When FPUC ended on August 1st, millions of Arts workers now face instant financial catastrophe, including eviction, which disproportionately impacts the Black community An estimated 40 Million Americans face eviction by October 1st.

Without immediate relief, institutions themselves will permanently close; causing systemic economic collapse in a vibrant ecosystem of mutually beneficial businesses that all rely on Arts & Culture institutions for their success. 

Compounding the tragedy is that millions of arts workers are losing (or have lost) their health insurance during a deadly pandemic; a pandemic that also disproportionately impacts those who are BIPOC.   

The situation is nothing less than a full-on socioeconomic and humanitarian catastrophe in the making, exacerbating pre-existing inequalities to a desperate and deadly limit.


10 U.S. airlines received $50 billion in CARES act relief.

While no one questions the necessity of keeping those 10 airlines solvent, Arts & Culture contribute a value-added of $265 Billion more to the U.S. GDP than the whole of U.S. Transportation. 

These industries deserve a proportionate level of relief for a sector of the economy that contributes 4.5% to U.S. GDP and provides over 5 million jobs.

Proportionate relief to The Arts & Culture sector is not only just, it is integral to stave off the collapse of a cornerstone of our economy and all the other sectors that rely on it.  

Without an Arts & Culture recovery, there will be no full American economic recovery. 



That’s the absolute most effective way to help.  Emailing, signing petitions, and tagging your Senators are all other great ways, but calling your Senator remains the MOST impactful. 

Here is a Google doc with U.S. senators contact info:

Here’s a script you can use if you don’t know what to say:

And please visit to learn more about ways American workers are losing their livelihoods and how you can help in the recovery of the Arts & Culture sector. It is a 100% volunteer-run organization dedicated to helping individuals and institutions affected by the COVID-19 crisis. You can learn more about their mission to obtain relief funding administration and disbursal.


How does this affect Honest Pint, you may ask? Well, the theatre community is an eco-system. Without Broadway and Off-Broadway, there is no regional theatre (like Playmakers Rep). Without regional theatre, there is no local, professional theatre (like Theatre Raleigh or us) or community theatre (like Raleigh Little Theatre or Theatre in the Park or NRACT). We are all interconnected, especially on a local level here in the Triangle. We rely on each other to share resources, ideas, audiences, and workers. When one of us falls, the loss is felt throughout the entire community. It hurts all of us.

And none of us is immune to the wrath of the COVID-19 pandemic. 

Please continue to support your local Arts & Culture sector, especially theatre companies like us. 

Thank you! We look forward to seeing you on September 23 for THE NICETIES. Be sure to follow us on Instagram and FaceBook for updates.

Stay well and safe.

Until we meet again, DRINK DEEP!

— Susannah and David 

A final thought...

The national election is just 61days away (as of Wednesday). 

The ONLY way we have the power to affect change is to VOTE.

Please visit to register, to double-check that you are registered (don’t presume ANYTHING), to request a ballot and find mail-in ballot FAQs, to learn your voting rights, and to encourage others to do the same.

When We All Vote is a non-partisan organization dedicated to increase participation in every election and to close the race and age voting gap by changing the culture around voting. 

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Dear Friends,

We hope June has brought you good health as we enter into the fourth month of the COVID-19 pandemic and that you are staying safe. 

June brought our nation, our state, and our local area a literal ground-shift. The response to the killing of George Floyd, Ahmaud Arbery, Breonna Taylor, Rayshard Brooks, and so many more at the hands of police, along with the unconscionable systemic racism that has diseased our country since it was founded, has been immense and overwhelming in a good way. We are, at last, waking up.

In the past few days we have written and rewritten this letter more times than we can count. How does one even go about addressing such a complex situation? Are we witnessing a revolution? If so, what is our role in it?

We know many of you reading this letter are feeling the same thing. Like many people, we are listening and learning from Black leaders who we are lucky enough to call friends, as well as national leaders, and we are reading books by BIPOC authors in order to educate ourselves. We are also trying our best to use our place of privilege to fight for change and by being vocal to our community, our families, our children, and by donating to organizations that are leading the way towards righting the social injustices that have been plaguing American society for centuries.

And yet… it doesn’t feel like enough.

As a company, we have paused over the past few weeks to deeply consider how best to engage on issues of racism. Acts of racism and injustice have no place in our country or our company. To our Black brothers and sisters who are grieving, suffering, and pleading, unequivocally, your life matters.

The ongoing COVID-19 crisis has presented Honest Pint with obvious challenges. As of today we have no idea when we will be able to produce a show live and in-person. There is no end in sight to the pandemic; gathering in crowds is not feasible, advised, or lawful. Theatrical venues remain closed. 

We had planned to bring a special live-streamed event to you this month. It was a really good one, too, about how our country decides who to vote for in a presidential election and why we just can’t seem to put a woman in the Oval Office.

A streaming performance of HILLARY AND CLINTON by Lucas Hnath will hopefully happen in the fall (or maybe in person in January, just in time for the inauguration of whomever gets elected in November!).

We also have moved SMALL MOUTH SOUNDS twice on the calendar. We had hoped to bring it to you at Pure Life Theater in August, but we will not be able to do that as of today. 

That’s the long and short of it. We are pressing “pause” for three months, regrouping, hoping for change and a cure for COVID-19, listening, learning, and un-learning, understanding our own part in racism, and dreaming of a day when we can all be together sharing our stories. 

Let’s commit to ensuring that Black voices are not silenced. Educating ourselves is the first step if we hope to make any progress in bringing an end to racism. Social, political, and economic discrimination against Black communities continues to exist. There is deep pain that needs to be healed. Let’s work together to make it happen.

Thank you for your steadfast support and belief in our work. We appreciate your ongoing financial help, and we appreciate your understanding of our decision to pause it for a little while. 

We WILL be back when it is safe for us to come back. Safe for our artists as well as our audiences, whether that is in 3 months, 6 months, or maybe even longer. 

Honest Pint is NOT going away. There are too many important stories to share and we think theatre has the power to change minds and help shape the cultural landscape.

Please take good care of yourselves in this unprecedented and unstable time. We can’t wait to see you in person one day soon!


— Susannah and David

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